ΠΠ΅Ρ ΠΎΡΠ·ΡΠ²ΠΎΠ²
ΠΠ½Π½ΠΎΡΠ°ΡΠΈΡ
| Π‘Π΅ΡΠΈΡ | ΠΠ°ΡΡΠ±Π΅ΠΆΠ½Π°Ρ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ° (Hodder & Stoughton) |
|---|---|
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
| ΠΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ | ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ |
| Π‘ΡΡΠ°Π½ΠΈΡ | 407 |
| ΠΠΎΠ΄, ΡΠΈΡΠ°ΠΆ | 2021 |
ΠΠ΅ Π² Π½Π°Π»ΠΈΡΠΈΠΈ
ΠΡΠ·ΡΠ²Ρ
0ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
βHer coat falls open. She only has her bra on underneath. She pulls out the little sculpture of the woman with no arms. It sits on her lap. Two women. One real. One not. Both with their innate femininity out.β
Phoebe Waller-Bridgeβs critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit, and deeply human drama. In Fleabag: The Scriptures, Waller-Bridge brings together for the first time the filming scripts of the first and second seasons, complete with the original stage directions as well as exclusive commentary on her creative process and the making of the series. Now recognized as one of todayβs most essential voices, she delivers powerful insights into her now-iconic protagonist: the hilarious, emotionally damaged, sexually unapologetic woman who can make viewers laugh, cry, and cringe in a single scene.
Β« ΠΠΎΠ½Π΄ΠΎΠ½ΡΠΊΠ°Ρ ΠΆΠΈΠ·Π½ΡΒ» Π²ΠΊΠ»ΡΡΠ°Π΅Ρ Π² ΡΠ΅Π±Ρ ΡΡΠ΅Π½Π°ΡΠΈΠΈ ΡΠΈΠ»ΡΠΌΠΎΠ² ΠΈΠ· ΠΏΡΠ΅ΠΌΠΈΠ°Π»ΡΠ½ΡΡ ΡΠ΅ΡΠΈΠΉ Β« ΠΠΎΠ»ΠΎΡΠΎΠΉ Π³Π»ΠΎΠ±ΡΡΒ», Β« ΠΠΌΠΌΠΈΒ» ΠΈ ΠΡΠΈΡΠ°Π½ΡΠΊΠΎΠΉ Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΠΈ ΠΊΠΈΠ½ΠΎ ΠΈ ΡΠ΅Π»Π΅Π²ΠΈΠ΄Π΅Π½ΠΈΡ, Π° ΡΠ°ΠΊΠΆΠ΅ Π±Π΅ΡΠΏΡΠ΅ΡΠ΅Π΄Π΅Π½ΡΠ½ΠΎΠ΅ ΡΡΠΊΠΎΠ²ΠΎΠ΄ΡΡΠ²ΠΎ ΡΡΠ΅Π½ΠΎΠΉ.
Phoebe Waller-Bridgeβs critically acclaimed, utterly unique series Fleabag took the world by storm with its piercing dialogue, ruthlessly dry wit, and deeply human drama. In Fleabag: The Scriptures, Waller-Bridge brings together for the first time the filming scripts of the first and second seasons, complete with the original stage directions as well as exclusive commentary on her creative process and the making of the series. Now recognized as one of todayβs most essential voices, she delivers powerful insights into her now-iconic protagonist: the hilarious, emotionally damaged, sexually unapologetic woman who can make viewers laugh, cry, and cringe in a single scene.
Β« ΠΠΎΠ½Π΄ΠΎΠ½ΡΠΊΠ°Ρ ΠΆΠΈΠ·Π½ΡΒ» Π²ΠΊΠ»ΡΡΠ°Π΅Ρ Π² ΡΠ΅Π±Ρ ΡΡΠ΅Π½Π°ΡΠΈΠΈ ΡΠΈΠ»ΡΠΌΠΎΠ² ΠΈΠ· ΠΏΡΠ΅ΠΌΠΈΠ°Π»ΡΠ½ΡΡ ΡΠ΅ΡΠΈΠΉ Β« ΠΠΎΠ»ΠΎΡΠΎΠΉ Π³Π»ΠΎΠ±ΡΡΒ», Β« ΠΠΌΠΌΠΈΒ» ΠΈ ΠΡΠΈΡΠ°Π½ΡΠΊΠΎΠΉ Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΠΈ ΠΊΠΈΠ½ΠΎ ΠΈ ΡΠ΅Π»Π΅Π²ΠΈΠ΄Π΅Π½ΠΈΡ, Π° ΡΠ°ΠΊΠΆΠ΅ Π±Π΅ΡΠΏΡΠ΅ΡΠ΅Π΄Π΅Π½ΡΠ½ΠΎΠ΅ ΡΡΠΊΠΎΠ²ΠΎΠ΄ΡΡΠ²ΠΎ ΡΡΠ΅Π½ΠΎΠΉ.
| ΠΠΎΠ΄ | 3059948 |
|---|---|
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
| Π‘Π΅ΡΠΈΡ | ΠΠ°ΡΡΠ±Π΅ΠΆΠ½Π°Ρ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ° (Hodder & Stoughton) |
| ΠΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ | ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ |
| ΠΠΎΠ»-Π²ΠΎ ΡΡΡΠ°Π½ΠΈΡ | 407 |
| ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ | 2021 |
| ISBN | 978-1-5293-4179-9 |
| Π Π°Π·Π΄Π΅Π» | Π‘ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½Π°Ρ ΠΏΡΠΎΠ·Π° Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌ |
| Π Π°Π·ΠΌΠ΅ΡΡ | 3.6 ΡΠΌ Γ 15.2 ΡΠΌ Γ 21.4 ΡΠΌ |
| ΠΠ΅Ρ | 0.48 ΠΊΠ³ |