ΠΠ΅Ρ ΠΎΡΠ·ΡΠ²ΠΎΠ²
ΠΠ½Π½ΠΎΡΠ°ΡΠΈΡ
| Π‘Π΅ΡΠΈΡ | Dover Thrift Editions |
|---|---|
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
| ΠΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ | ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ |
| Π‘ΡΡΠ°Π½ΠΈΡ | 91 |
| ΠΠΎΠ΄, ΡΠΈΡΠ°ΠΆ | 2003 |
ΠΠ΅ Π² Π½Π°Π»ΠΈΡΠΈΠΈ
ΠΡΠ·ΡΠ²Ρ
0ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
In 1864, just prior to the years in which he wrote his greatest novels - `Crime and Punishment`, `The Idiot`, `The Possessed` and `The Brothers Karamazov`, Fyodor Dostoyevsky (1821-1881) penned the darkly fascinating `Notes from the Underground`. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes - moral, religious, political and social - that dominated Dostoyevsky`s later works. `Notes from the Underground`, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett`s authoritative translation is reprinted here, with a new introduction.
| ΠΠΎΠ΄ | 1813188 |
|---|---|
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
| Π‘Π΅ΡΠΈΡ | Dover Thrift Editions |
| ΠΠ²ΡΠΎΡ | |
| ΠΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ | ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ |
| ΠΠΎΠ»-Π²ΠΎ ΡΡΡΠ°Π½ΠΈΡ | 91 |
| ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ | 2003 |
| ISBN | 0-486-27053-X |
| Π Π°Π·Π΄Π΅Π» | Π ΡΡΡΠΊΠ°Ρ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ° Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌ |
| Π Π°Π·ΠΌΠ΅ΡΡ | 0.01 ΡΠΌ Γ 21.5 ΡΠΌ Γ 14.5 ΡΠΌ |
| ΠΠ΅Ρ | 0.5 ΠΊΠ³ |