ΠΠ΅Ρ ΠΎΡΠ·ΡΠ²ΠΎΠ²
ΠΡΠΏΠΈΠ»ΠΈ 4 ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°
ΠΠ½Π½ΠΎΡΠ°ΡΠΈΡ
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
|---|---|
| Π‘ΡΡΠ°Π½ΠΈΡ | 118 |
| ΠΠΎΠ΄, ΡΠΈΡΠ°ΠΆ | 2019 |
ΠΠ΅ Π² Π½Π°Π»ΠΈΡΠΈΠΈ
ΠΡΠ·ΡΠ²Ρ
0ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
Written in 1966, βTarantulaβ is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylanβs creative evolution.βThe good samaritan coming in with the words βround & round we goβ tattoed on his cheek / he tells the senator to stop insulting the lawyer.ββTarantulaβ captures Bob Dylanβs preoccupations at a crucial juncture in his artistic development, showcasing the antic imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny and strange, the poems and prose in this collection reflect the concerns we find in Dylanβs most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.βTarantulaβ never made its publication date in Autumn 1966. To the delays added by Dylanβs constant revisions was added the greater complication of his motorcyle accident β which left him with still undisclosed injuries and kept the book from publication until 1971. In the interim, it became a cult phenomenon, with βbooklegβ editions photocopied from reviewer proofs circulating throughout the musical and literary demi-mondes. Reissued to coincide with the paperback release of βChronicles Volume 1β, βTarantulaβ will finally find the wider audience it deserves.
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| ΠΠΎΠ΄ | 2581227 |
|---|---|
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
| ΠΠΎΠ»-Π²ΠΎ ΡΡΡΠ°Π½ΠΈΡ | 118 |
| ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ | 2019 |
| ISBN | 978-0-00-721504-1 |
| Π Π°Π·Π΄Π΅Π» | Π‘ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½Π°Ρ ΠΏΡΠΎΠ·Π° Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌ |
| Π Π°Π·ΠΌΠ΅ΡΡ | 0.6 ΡΠΌ Γ 12.6 ΡΠΌ Γ 19.7 ΡΠΌ |
| ΠΠ΅Ρ | 0.1 ΠΊΠ³ |