ΠΠ΅Ρ ΠΎΡΠ·ΡΠ²ΠΎΠ²
ΠΠ½Π½ΠΎΡΠ°ΡΠΈΡ
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
|---|---|
| ΠΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ | ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ |
| Π‘ΡΡΠ°Π½ΠΈΡ | 181 |
| ΠΠΎΠ΄, ΡΠΈΡΠ°ΠΆ | 2020 |
ΠΠ΅ Π² Π½Π°Π»ΠΈΡΠΈΠΈ
ΠΡΠ·ΡΠ²Ρ
0ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
While spending the summer in the resort of Grand Isle with her husband and children, Edna Pontellier begins a process of self-discovery that is accelerated after she meets the charming Robert Lebrun. Yet, when Robert departs for Mexico and the summer vacation ends, Ednas new-found sense of independence and personal freedom mean that she isolates herself from New Orleans society and rejects her former lifestyle. Moving into a home of her own and choosing a lover, Edna soon becomes a protegee of the unconventional pianist Mademoiselle Reisz, through whom she learns that Robert still longs for her.
Centring upon the conflict between Ednas increasingly unorthodox views on femininity and motherhood and the prevailing social attitudes of the fin de siecle American South, The Awakening is widely seen as a landmark of early feminism and a precursor of American modernism.
Centring upon the conflict between Ednas increasingly unorthodox views on femininity and motherhood and the prevailing social attitudes of the fin de siecle American South, The Awakening is widely seen as a landmark of early feminism and a precursor of American modernism.
| ΠΠΎΠ΄ | 2825957 |
|---|---|
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
| ΠΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ | ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ |
| ΠΠΎΠ»-Π²ΠΎ ΡΡΡΠ°Π½ΠΈΡ | 181 |
| ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ | 2020 |
| Π Π°Π·Π΄Π΅Π» | Π‘ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½Π°Ρ ΠΏΡΠΎΠ·Π° Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌ |
| Π Π°Π·ΠΌΠ΅ΡΡ | 1.3 ΡΠΌ Γ 12.8 ΡΠΌ Γ 19.7 ΡΠΌ |
| ΠΠ΅Ρ | 0.21 ΠΊΠ³ |