ΠΠ½Π½ΠΎΡΠ°ΡΠΈΡ
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
|---|---|
| ΠΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ | Π’Π²ΡΡΠ΄ΡΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ |
| Π‘ΡΡΠ°Π½ΠΈΡ | 644 |
| ΠΠΎΠ΄, ΡΠΈΡΠ°ΠΆ | 2000 |
ΠΠ΅ Π² Π½Π°Π»ΠΈΡΠΈΠΈ
ΠΡΠ·ΡΠ²Ρ
1
ΠΠ΅Π½Ρ ΠΠΈΠ»Π»Π΅Ρ
4 Π³ΠΎΠ΄Π° Π½Π°Π·Π°Π΄
ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
As an operative for Pinkerton's Detective Agency Dashiell Hammett knew about sleuthing from the inside, but his career was cut short by the ruin of his health in World War I. These three celebrated novels are therefore the products of a hard real life, not a literary education. Despite - or because of - that, Hammett had an enormous effect on mainstream writers between the wars. Like his readers, they were attracted by the combination of laconic style, sharp convincing dialogue, vivid settings and, above all, the low-life, hard-boiled characters who populate the streets of his stories. Taking detective fiction out of the drawing-room, Hammett `gave murder back to the kind of people that commit it', as Raymond Chandler said. In so doing, he left his mark on modern fiction.
| ΠΠΎΠ΄ | 2340587 |
|---|---|
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
| ΠΠ²ΡΠΎΡ | |
| ΠΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ | Π’Π²ΡΡΠ΄ΡΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ |
| ΠΠΎΠ»-Π²ΠΎ ΡΡΡΠ°Π½ΠΈΡ | 644 |
| ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ | 2000 |
| ISBN | 978-1-85-715263-0 |
| Π Π°Π·Π΄Π΅Π» | ΠΠ΅ΡΠ΅ΠΊΡΠΈΠ². Π’ΡΠΈΠ»Π»Π΅Ρ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌ |
| Π Π°Π·ΠΌΠ΅ΡΡ | 3.7 ΡΠΌ Γ 13.1 ΡΠΌ Γ 21 ΡΠΌ |
| ΠΠ΅Ρ | 0.71 ΠΊΠ³ |
