ΠΠ΅Ρ ΠΎΡΠ·ΡΠ²ΠΎΠ²
ΠΡΠΏΠΈΠ»ΠΈ 4 ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°
ΠΠ½Π½ΠΎΡΠ°ΡΠΈΡ
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
|---|---|
| Π‘ΡΡΠ°Π½ΠΈΡ | 598 |
| ΠΠΎΠ΄, ΡΠΈΡΠ°ΠΆ | 2013 |
ΠΠ΅ Π² Π½Π°Π»ΠΈΡΠΈΠΈ
ΠΡΠ·ΡΠ²Ρ
0ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
At the same time that Adolf Hitler was attempting to take over the Western world, his armies were methodically seeking and hoarding the finest art treasures in Europe. The Fuhrer had begun cataloging the art he planned to collect as well as the art he would destroy: the "degenerate" works he despised.
.In a race against time, a group of AmerΒican and British museum directors, curators, art historians, and others - called the MonΒuments Men - risked their lives scouring Europe to prevent the destruction of thousands of years of culture. Focusing on the period between D-Day and V-E Day, this acclaimed book follows six Monuments Men on their impossible mission to save the world's great art from the Nazis.
| ΠΠΎΠ΄ | 2397877 |
|---|---|
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
| ΠΠΎΠ»-Π²ΠΎ ΡΡΡΠ°Π½ΠΈΡ | 598 |
| ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ | 2013 |
| ISBN | 978-0-316-24007-9 |
| Π Π°Π·Π΄Π΅Π» | Π‘ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½Π°Ρ ΠΏΡΠΎΠ·Π° Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌ |
| Π Π°Π·ΠΌΠ΅ΡΡ | 3.5 ΡΠΌ Γ 10.5 ΡΠΌ Γ 19 ΡΠΌ |
| ΠΠ΅Ρ | 0.33 ΠΊΠ³ |