ΠΠ΅Ρ ΠΎΡΠ·ΡΠ²ΠΎΠ²
ΠΠ½Π½ΠΎΡΠ°ΡΠΈΡ
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
|---|---|
| ΠΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ | ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ |
| Π‘ΡΡΠ°Π½ΠΈΡ | 308 |
| ΠΠΎΠ΄, ΡΠΈΡΠ°ΠΆ | 2004 |
ΠΠ΅ Π² Π½Π°Π»ΠΈΡΠΈΠΈ
ΠΡΠ·ΡΠ²Ρ
0ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΡΡΠΈΠΊΠΈ
In Leons fifth Commissario Guido Brunetti mystery, the beating of renowned art historian Dotoressa Brett Lynch draws the contemporary Venetian police detective out of his warm and loving home and into the yearly onslaught of acqua alta, the torrential winter rains. Brett, an American who spearheaded a recent exhibition of Chinese pottery in Venice, lives with her lover, Flavia Petrelli, the reigning diva of La Scala. With his open mind and good sense, Brunetti finds himself more fazed by Flavias breathtaking talent than by the nontraditional relationship between the two women. Brunettis deliberate and humane investigation to uncover a motive for Bretts beating takes him to dark, wet corners of Venice and into a sinister web of art theft, fakery and base human desires. While there may be a whiff of stereotype in Brunettis assumptions about a character of Sicilian heritage, the action builds to a dramatic and deeply satisfying climax. Intricate and intimate descriptions of Venetian life fill these pages and prove that Leon has once again created a high-stakes mystery in which the setting vibrates with as much life as the story itself.
| ΠΠΎΠ΄ | 2062738 |
|---|---|
| ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ | |
| ΠΠ²ΡΠΎΡ | |
| ΠΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ | ΠΡΠ³ΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ |
| ΠΠΎΠ»-Π²ΠΎ ΡΡΡΠ°Π½ΠΈΡ | 308 |
| ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ | 2004 |
| ISBN | 0142000787 |
| Π Π°Π·Π΄Π΅Π» | Π‘ΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½Π°Ρ ΠΏΡΠΎΠ·Π° Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌ |
| Π Π°Π·ΠΌΠ΅ΡΡ | 0.01 ΡΠΌ Γ 10.7 ΡΠΌ Γ 16.5 ΡΠΌ |
| ΠΠ΅Ρ | 0.5 ΠΊΠ³ |